Objective:

Goal: The focus at the start of this painting was to use mixed media (pen, ink, watercolor, and pencil) to create a composition based on a found photograph. With the image in hand, I could concentrate on color, mark-making, and developing a psychological dimension to the image.

Inspiration:

A couple of the artists I was thinking about were Nagel and


Patrick Nagel

For those that are too young… Nagel had a moment. In the late 80s, his art was EVERYWHERE.

I remember seeing prints of his all over the place… then he was gone.

I was thinking about Nagel as I worked on this piece.

Egon Schiele, Victor Ritter von Bauer - 1918

I don’t think that Schiele had enough time to fully develop his craft.

I’m not a huge fan of most of his work, but when looking at something like this, you can see why Klimt took an active interest in mentoring him.


End of Session 6

I have mixed feelings about this piece at this point. It feels stuck.

I like the lines and the feeling that she is being disintegrated by the sun.

End of Session Fourteen

I feel like I have fully killed this work. It feels dead and beyond recovery.

I’m going to let it sit for a while.

Reviewing the End of Stage 2

I keep coming back to this point. There are some marks here that I really like.

There is a printmaker, I forget their name, who used to throw his printing plates out of his window to the street a couple of floors down. The resulting scratches would be incorporated into his work and kind of fake out those marks I like so much. I’m tempted to run over what I have right now with a car and see what happens.


Directions: For best experience, click on an image. Use the (forward/backward) buttons.


Reference Image

This is such a regal confident elegant looking lady.

Note: Information on why I’m adding the meta data to the painting can be found here, ‘Objets Etranges #1’.

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Etude #48

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Etude #46