John Sargent

I have been looking at watercolor plein air studies to understand how other painters work quickly without losing structure. John Singer Sargent’s Landscape with Trees keeps standing out to me. It looks like a fast study, but it still feels balanced and spacious.

The composition seems built from blocks of color rather than outlines. Foliage, trunks, ground, and sky gaps fit together like shapes in a pattern. Many of those shapes tilt or shift direction, which keeps the surface moving and keeps the space believable.

The value structure does a lot of the work. The darks anchor the scene and help the lighter areas read clearly. It also feels like he stopped at the right moment. The relationships are there, and the painting still feels alive.

John Singer Sargent, 'Landscape with trees', 1901

the trees in this watercolor…

John Singer Sargent 'Lake in the Tyrol' 1913

Also, I just really liked this image I came across while looking for Sargent… It’s an oil, and it feels a little more worked than the two quick watercolors. I really appreciate the brushwork, colors, and composition here.

John Singer Sargent, 'Olive Trees - Corfu' 1909

Near June Street, Worcester, Massachusetts

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Thomson, Tom

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Bradley, Joe